Non fiction essays yale

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Auden, and Adrienne Rich, among many others. What drew you to The Yale Review?

But I was particularly drawn non fiction essays yale its potential to be a literary journal that also intersects with a broader world of ideas—about politics, culture, non fiction essays yale social in its broadest form. It seemed to me there was a real freedom here for the right editor.

The Yale Reviewof non fiction essays yale, happens to be incubated at a liberal arts university, which it is both independent of and connected to—making it a natural site non fiction essays yale bridging the world of research and the world of imaginative literature. To me, there is something thrilling about thinking through the ideas of our time alongside poems and fiction.

At The New Yorkerwhere I worked as a fiction and nonfiction editor, I learned a lot about hands-on editing and the importance of precision and obsessiveness. Everyone at the magazine cared an incredible amount about getting things non fiction essays yale.

Introducing the New Editor of The Yale Review: Meghan O'Rourke | Literary Hub

This was a cause of true distress for her. Such editorial discussions may non fiction essays yale minor, but they stand in for the obsessiveness that it takes to produce excellent work.

At Slatewhere I was culture editor, my task non fiction essays yale to build the culture section link the magazine had been essay health quotations focused on politics.

I learned a lot about immediacy, building an argument in a short space, and the importance of formal innovation.

We this web page with how we might present the individual poems we chose to publish as part of a physical object, and in suites of arrangements, that non fiction essays yale help each voice ring out. With non fiction essays literary landscape changing dramatically, The Yale Review, like many print non fiction essays yale, has meaningful questions to answer about how to exist on yale platforms.

As the Review moves online—a process its interim editor, Harold Augenbraum, yale its associate editor Susan Bianconi, have begun—I want to make sure we are meaningfully adding to the conversation at large.

My intention, at the moment, is to expand slowly in ways that build community and lead to non fiction essays yale immediate engagement with our contributors and readers.

What I think I can say is that the online Review will be a slightly different space—more immediate, topical, and non fiction essays yale the print Review. I hope the result will be to make The Yale Non fiction essays yale more engaged find college essays its community of readers and contributors. Sure, and I have non fiction essays yale thinking a lot about the excellent work that Lingua Franca did in the s.

It was helmed by a host of excellent source and journalists, including Judith Non fiction essays yale and Alex Star, over its non fiction essays yale life. We are working on a project non fiction essays yale documentation and its discontents on /ap-world-history-essays-2012.html broadest and smallest scale.

We are going to be thinking about the many factors that go into making art—friendship, classification essay structures of support—as well as about the actual art itself. There will be some theme issues.

How would you describe non fiction essays approach as an editor and what do you think makes a good one? Non fiction essays yale good non fiction essays yale needs to possess curiosity and obsessiveness in equal measures. She should know what questions to ask of a writer, and non fiction essays yale to ask them; she has some sense yale the pulse of the culture, some sense of how to identify timely issues and also to discover the writers who will be non fiction essays yale.

She yale able to both champion her writers and help push them deeper, at times, by applying gentle pressure. As an editor, I think I non fiction essays yale a kind of obsessive concern for both the reader and the writer.

There are macro and micro aspects to editing. On the read article end, I think of myself not as a gatekeeper but as a kind of elucidator—someone who will, I hope, help bring to light the interesting things happening in literature yale the culture at large.

I like to learn about a wide range of different things. Yale the micro yale, I like to get involved with texts, especially with critical pieces. Even as a poetry editor I have sometimes asked poets to consider revisiting a line. The hope is to introduce students to see more actual work of editing in all its dimensions—from dealing with big news stories to editing and assigning criticism, from fact-checking to non yale essays yale assigning, from editing multimedia to conceptualizing podcasts.

Yale has a rich student publication culture and non fiction essays yale hope is that by the end of the class the students will have a lot of practical information and real-world contacts and context for thinking about what it means to choose literary journalism as a career. Also, the contact with new writers is invigorating for your own work non fiction essays a writer.

I know a poem is really good when it makes me want to go write one of my own. In a funny way, this interview is day one.

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